“Proudest accomplishments so far are being featured on Vegas radio, being a house band at Carnival Court and Diablos on the Vegas strip. Being featured in Rockthiz Magazine and PopVulture, featured on the Cali podcast and Touring Texas, AK. ”

— Pop Vulture ~ Pop Vulture Magazine

“Every one of these guys has talent beyond belief, and they know how to use it.”

— Eric Salas ~ Rock Thiz Magazine

“The Garage Boys are one of the hardest working bands in Vegas.”

— Christina Avina ~ Rock On Request Magazine

Only a few miles from the Las Vegas strip in June of 2007, four guys, that had never met, rehearsed for the first time in a beat up old studio. Little did they know that seven years later they would be hailed as one of the most exciting and sought after rock bands in Nevada.

The Garage Boys have stood the test of time; touring, recording and performing in just about every circumstance known to all band kind. Most bands pack it in after a few months…a year tops. Who can blame them; it’s a tough industry. However, these guys are not stopping. They are a high energy, 100% organic, rock band. They released their second album, “Sgt. Peckers”, June of 2015, which is guaranteed to be a huge success worldwide. Their unique sound reflects their influences, which range from The Beatles and Stones, to STP, Weezer, Bob Marley, Sublime, Thin Lizzy, Metallica, Radiohead, Bon Jovi and even Steely Dan.

Their upcoming album was released June 20th. It is their most Bi-polar to date: and that’s the way they want it. The Garage Boys are not interested in forming a generic sound where every track is the same as the last. One song will be glam-rock, Reggae the next, and another will be old school classic country rock…the way bands used to do it.

Staying true to themselves, they exclaim: “We just write what we like, no matter what. We believe in what we do”.

The Garage Boys are:

Bryan Duffy: Lead Vocals and Guitar.

Aaron Harris: Bass/Keys and Production.

Craig Small: Drums and Lead Vocals.

Mike Neufeld: Guitar.

The Garage Boys will be performing anywhere and everywhere so look for them in your state.

WARD DAVIS

American Singer/Songwriter from Monticello, Arkansas by way of Nashville, Tennesse, Ward Davis has had songs recorded by Trace Adkins, Willie Nelson, Merle Haggard, Wade Hayes, Sammy Kershaw, Bucky Covington, Jimmie Van Zant, Buddy Jewel, Carolina Rain, The Roys, and more. Most recently, Ward Davis co-wrote “I’m Not The Devil” with Cody Jinks, with whom he subsequently toured with nationwide. With over 250 shows per year under his belt as both a headliner and support act, Ward Davis’ already popular live show is growing at exponential rates.

To listen to Drake White’s music is to fully experience the soul and rhythm of his upbringing in the Appalachian foothills of Northeastern Alabama. The undeniable sound of his soulful voice has whipped concert audiences across the country into a frenzy as Drake and his band, The Big Fire, raise the roof and summon spirits to life onstage. It’s equal parts Baptist tent revival and amped-up southern rock festival. As you watch Drake crank the energy level up higher and higher throughout the night, you feel as if you’d walked in on a live gospel album backed up by all-stars from The Allman Brothers and Lynyrd Skynyrd. Of course those acts hit musical pay dirt recording in Muscle Shoals, Alabama in the late ‘60s and ‘70s, a little over two hours west of Drake’s tiny hometown of Hokes Bluff. The same fire that drives Drake to pour his entire being in to those performances also demands that he continue exploring and refining that country soul sound, which the world first heard on his debut album, 2016’s SPARK (Big Machine Label Group). In the spirit of propelling his music forward, Drake teamed up with a crew of Nashville’s most creative musicians in an effort to, as he says, “Bridge that gap between Nashville and Muscle Shoals.” It’s in the crossroads of those two musical worlds that you’ll find Drake White’s new five-song EP, PIECES (BMLG Records) .

CMU Jazz Night at the Warehouse, come give these talented students a listen, as they hit the RMEF stage only at the Warehouse

The Reader’s Digest version of Mark Wills’ story makes it clear he’s an award-winning singer’s singer. His matchless phrasing, passionate and meaningful delivery and right-on-the money vocals make each and every song he performs come alive. Like a picture perfect painting, Wills’ music is a vocal work of art that walks right off the canvas and into the hearts of country music lovers alike.

Bringing the Wills’ dimension to some of the greatest songs ever written, he’s not necessarily become known for being trendy, hip or even on the cutting edge, but rather and simply as a damn good singer!

“I think I’m a good storyteller to make a son g meaningful. Whether romantic or ‘reality,’ my focus is on the music delivery to make it my own for the people who listen—so that they can make it their own.”  

And the people listen…

His list of accolades is his testament. Mark Wills is a multi-platinum selling country music star with eight top 10 hits to his name including “19 Something,” “Wish You Were Here” and “Don’t Laugh At Me;” all of which received nominations for Single, Song and Video of the Year by the Country Music Association. Wills won the Academy of Country Music ‘s award for Top New Male Vocalist in 1998. In 2002, his single “19 Something” spent six consecutive weeks at No. 1, was Billboard‘s top country hit of the year and was the second most-played song of the decade in 2009.

…and that’s just a chapter in Mark Wills’ life story.

Since garnering his Top New Male Vocalist recognition in 1998, Wills has become a staple in country music, like salt and pepper on a table; the chapters may have changed, but the story continues. The father of two daughters, a husband and the head of household, Mark’s role in life and music are one in the same.

“I think I’m at a point where I’ve seen all sides of me! I’ve become more aware of who I am not only as an artist, but as a father, a husband and a friend…and as a dad, I want to put out music my children can listen to; all in all, I take more ownership in it.”

 His ownership is made evident in his newest collection of recordings on the CD entitled LOOKING FOR AMERICA; an assortment of tunes Mark describes as different, yet the same.